final idea / development

After Amelia’s comment on the second opening night of WITHIN / WITHOUT, I decided I had to make some changes.

Instead of a single long piece, I chose to go for the easier option and go with separate images for the separate pages. I’d been doing concept drawings in my sketchbook and it only made sense for each one to just be on a separate piece of paper, but still, adamant that they should be suspended on strings, rather than just hung on a wall.

Quite a few things changed throughout the course of this project. From illustrating different Creation myths in order to point out similarities to making an animation uniting all their main elements, to a long continuous piece hinting at a multiverse… I have finally come to a final decision.

My plan is to create an installation of the timeline of our universe but backwards. First we observe what is now, the Earth suspended in space, and then we start going further and further backwards until we reach the point of the Big Bang, the point of primal genesis, the point beyond which we can’t tell what was. Then I will employ the multiverse bubble theory and we will move out of the bubble our universe’s timeline is contained within, to the space where all the numerous bubbles float about, each one containing the possibility of a universe within it… they hang freely until they lead to another freely hanging piece, the last bit of the installation, a mirror. Next to it a short poem tying everything together and inspiring the awareness, self-consciousness and empathy we al must feel towards our world, our planet, our home, and all the beings inhabiting it alongside us.

It is our world, our choices and our responsibility.

 

Concept drawings

I’d been doing a lot of concept pieces before and after the exhibition in Bristol and when I came to a final decision about the degree show and what I wanted my project to be, I redrew them all to what I imagined they could look like as finished pieces. In a sense, final concepts.

I was using watercolour, as I wanted a certain density as well as a transparency to the outcome. Knowing that the final images would have to be painted on MDF was a bit worrying because I knew they weren’t going to come out looking the same. I could visualise the changes to an extent but I still couldn’t fully anticipate the outcome.

 

 

mock viva

Here’s most of what I had in my presentation / mock Viva Voce.

We had to prepare and time it (10 minutes + 5 minutes for comments and questions), which was one of the things I slightly messed up by starting off a bit slow and then having to rush the end. I did a recap of the whole research I’d done and evolution of my ideas though I was meant to be showing mainly developments and actual work. I think my save and trump card was the 3metre-long piece I did instead of thumbnails, as concept artwork for the planned animation (you can see that here).

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